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David Mills, a veteran television writer who worked on the award-winning series "ER" and "The Wire," died after collapsing on the set of his latest production. He was 48.
Mills died Tuesday night in New Orleans, said HBO spokesman Diego Aldana. Doctors at Tulane Medical Center said he suffered a brain aneurism, according to a statement Wednesday from Mills' latest production, "Treme."
Mills was on the set of the new HBO series as it filmed a scene at Cafe du Monde in the French Quarter when he was stricken and rushed to the hospital where he died without regaining consciousness, the statement said.
"He was an enormous talent," said David Simon, a co-executive producer with Mills who first met the award-winning writer in the newsroom of their college newspaper. "He loved words and he loved an argument but not in any angry or mean-spirited way. He loved to argue ideas. He delighted in it, and he was confident that something smarter and deeper always came from a good argument."
Mills was living in New Orleans while working as a writer and executive producer of the drama set during post-Katrina and slated to premiere on April 11.
Wendell Pierce, who played Detective William "Bunk" Moreland on "The Wire," and plays a musician in "Treme," said Mills collapsed on the set Tuesday.
"He was carrying on a conversation and just fell over," Pierce said. "They called the medics, but there was nothing to be done."
"Treme" is named after the Creole neighborhood known for its rich musical history.
"I'm so sorry he won't be able to see the launch of the show he cared so much about," Pierce said.
HBO said in a statement that the network is "deeply saddened by the sudden loss of our dear friend and colleague."
"He was a gracious and humble man, and will be sorely missed by those who knew and loved him, as well as those who were aware of his immense talent. David has left us too soon but his brilliant work will live on."
"Treme" cast and crew members held a memorial for Mills on the set Wednesday morning, Pierce said.
"He was very quiet and introverted, but spoke volumes when he wrote," Pierce said of Mills. "He challenged us as actors and he challenged Americans when it came to matters of race. He was one of the more talented people working in TV. He made it much more than just empty entertainment."
Mills began his career as a reporter for The Washington Post, before turning to screenwriting. Besides "ER" and "The Wire," he worked on the HBO drama "The Corner," "Homicide: Life on the Street," "NYPD Blue" and was executive producer and writer of the short-lived NBC miniseries "Kingpin," about a Mexican drug cartel.
Mills started his television writing career with Simon, a longtime friend and "Wire" creator, in 1994. The pair wrote an episode of "Homicide" that year, for which they won a Writers Guild of America award. Mills won Emmys for co-writing and executive producing the miniseries "The Corner" and an Edgar in 2007 for "The Wire."
iPad reviews from technology writers began surfacing Wednesday evening, with most offering glowing appraisals of Apple's latest product. However, one caveat was consistent: iPad's inability to play flash video.
Walt Mossberg, the personal technology reporter for The Wall Street Journal, suggested that the iPad could help touchscreen computers overtake the mouse:
For the past week or so, I have been testing a sleek, light, silver-and-black tablet computer called an iPad. After spending hours and hours with it, I believe this beautiful new touch-screen device from Apple has the potential to change portable computing profoundly, and to challenge the primacy of the laptop. It could even help, eventually, to propel the finger-driven, multitouch user interface ahead of the mouse-driven interface that has prevailed for decades.
USA Today's Edward C. Baig says the "stunning" iPad is "rewriting the rulebook":
The iPad is not so much about what you can do -- browse, do e-mail, play games, read e-books and more -- but how you can do it. That's where Apple is rewriting the rulebook for mainstream computing. There is no mouse or physical keyboard. Everything is based on touch. All programs arrive directly through Apple's App Store. Apple's tablet is fun, simple, stunning to look at and blazingly fast. Inside is a new Apple chip, the A4. The machine is the antithesis of the cheap underpowered netbook computers that Jobs easily dismisses.
The New York Times' David Pogue deemed the iPad "polarizing" and wrote two reviews for groups at either end of the spectrum. One for "techies" and one review for "anyone else."
Pogue's review for "techies":
The Apple iPad is basically a gigantic iPod Touch.It's a half-inch-thick slab, all glass on top, aluminum on the back. Hardly any buttons at all -- just a big Home button below the screen. It takes you to the Home screen full of apps, just as on an iPhone.
Pogue's review for "anyone else":
The iPad is so fast and light, the multitouch screen so bright and responsive, the software so easy to navigate, that it really does qualify as a new category of gadget. Some have suggested that it might make a good goof-proof computer for technophobes, the aged and the young; they're absolutely right.
The Chicago Sun-Times' Andy Ihnatko described the tablet as "pure innovation":
The iPad user experience is instantly compelling and elegant. It's not every computer and every function. It's a computer that's designed for speed, mobility, and tactile interaction above all other considerations.The most compelling sign that Apple got this right is the fact that despite the novelty of the iPad, the excitement slips away after about ten seconds and you're completely focused on the task at hand ... whether it's reading a book, writing a report, or working on clearing your Inbox. Second most compelling: in situation after situation, I find that the iPad is the best computer in my household and office menagerie. It's not a replacement for my notebook, mind you. It feels more as if the iPad is filling a gap that's existed for quite some time.
The frequency of April Fools' hoaxes sometimes makes people doubt real news stories released on April 1.